Ornette Coleman-The Shape of Jazz to Come

1. Lonely Woman - (studio)
2. Eventually - (studio)
3. Peace - (studio)
4. Focus On Sanity - (studio)
5. Congeniality - (studio)
6. Chronology - (studio)

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The Police-Regatta De Blanc

1. Message In A Bottle
2. Regatta De Blanc
3. It's Alright For You
4. Bring On The Night
5. Deathwish
6. Walking On The Moon
7. On Any Other Day
8. Bed's Too Big Without You, The
9. Contact
10. Does Everyone Stare
11. No Time This Time

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ZZ Top-Eliminator

1. Gimme All Your Lovin
2. Got Me Under Pressure
3. Sharp Dressed Man
4. I Need You Tonight
5. I Got The Six
6. Legs
7. Thug
8. T. V. Dinners
9. Dirty Dog
10. If I Could Only Flag Her Down
11. Bad Girl

Enlace:

http://rapidshare.com/files/65343897/Eliminator.rar.html

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Putting Money down on McCain

Now there is a way that we all can make a quick buck off the presidential election hype. check out intrade.com to see how.

you can invest money in predictions relating to the hurricane season, osama bin laden's capture, hugo chavez's last days as president and my personal favorite, how many charges of robbery OJ Simpson will recieve.




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Exploding Hearts-Shattered

1. Shattered (You Left Me) 2. We Don't Have to Worry Anymore 3. So Bored 4. Busy Signals 5. (Making) Teenage Faces 6. Your Shadow 7. Sniffin' Glue 8. Walking out on Love 9. Still Crazy [Alternate Version] 10. Modern Kicks [Alternate Version] 11. Busy Signals [Demo Version] 12. I'm a Pretender [Alt Mix] 13. Throwaway Style [Alt Mix] 14. Black and Blue [Alt Mix] 15. Thorns in Roses [Alt Mix] 16. Shattered (You Left Me) [Alternate Version]

The Exploding Hearts were a band from Portland, Oregon. The band comprised vocalist Adam Cox, bassist Matt Fitzgerald, guitarist Terry Six and drummer Jeremy Gage. On July 20, 2003 the band was in a car accident which claimed the lives of three members. Their touring van flipped over on Interstate 5 just north of Eugene, Oregon. Jeremy Gage and Adam Cox were thrown from the vehicle and pronounced dead at the scene. The driver, Matthew Fitzgerald, died at a hospital. Terry Six and band manager Rachelle Ramos both survived with minor injuries.Terry Six went on to front and play guitar for the Portland-based power pop band, the Nice Boys. Check them here: http://powerpopoverdose.blogspot.com/2008/04/nice-boys-nice-boys-2006.html

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Rolling Stones-Their Satanic Majesties Request

Without a doubt, no Rolling Stones album -- and, indeed, very few rock albums from any era -- split critical opinion as much as the Rolling Stones' psychedelic outing. Many dismiss the record as sub-Sgt. Pepper posturing; others confess, if only in private, to a fascination with the album's inventive arrangements, which incorporated some African rhythms, Mellotrons, and full orchestration. Never before or since did the Stones take so many chances in the studio. This writer, at least, feels that the record has been unfairly undervalued, partly because purists expect the Stones to constantly champion a blues 'n' raunch world view. About half the material is very strong, particularly the glorious "She's a Rainbow," with its beautiful harmonies, piano, and strings; the riff-driven "Citadel"; the hazy, dream-like "In Another Land," Bill Wyman's debut writing (and singing) credit on a Stones release; and the majestically dark and doomy cosmic rocker "2000 Light Years From Home," with some of the creepiest synthesizer effects (devised by Brian Jones) ever to grace a rock record. The downfall of the album was caused by some weak songwriting on the lesser tracks, particularly the interminable psychedelic jam "Sing This All Together (See What Happens)." It's a much better record than most people give it credit for being, though, with a strong current of creeping uneasiness that undercuts the gaudy psychedelic flourishes. In 1968, the Stones would go back to the basics, and never wander down these paths again, making this all the more of a fascinating anomaly in the group's discography.-AMG

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Cop on Fire-Barcelona D-Beat

Cop on Fire- Lp and split w/ Visions of War

Danava- Unonou

Black Sabbath meets Yes in 2008




Danava

Dystopia-self titled-2008

greatest sludge/crust band ever


1. Now And Forever
2. Control All - Delete
3. Leaning With Intent To Fall
4. The Growing Minority
5. Illusion Of Love (Carcinogen cover)
6. Number One Hypocrite
7. My Meds Aren't Working



Dystopia

Jonny Greenwood's There Will Be Blood Soundtrack

From Radiohead's Jonny Greenwood

Paul Thomas Anderson's fifth film There Will Be Blood is too monumental and odd to not provoke sharply divided opinions but all reviews, from raves to revulsion, agree on two points: Daniel Day Lewis' performance as oilman Daniel Plainview is astonishing, and Jonny Greenwood's score is extraordinary. Lewis dominates the film, appearing in all but one scene, and Greenwood's music is used far more sparingly yet it's no less indelible. From the moment the film fades open to a spare, unrelenting Californian landscape, Greenwood's tense, coiled score mirrors the eerie emotional undercurrent to the film, pulling suppressed feelings to the surface, often with an almost operatic sense of drama. This is grand music, but it's also controlled, unleashing its furious clashes of dissonance with precision. Greenwood has demonstrated such mastery of mood as the guitarist within Radiohead but There Will Be Blood is superficially far removed from that band's restless experiments with electronic music. There are no electric instruments here at all -- this is all orchestral music, created on instruments that were available at the film's setting of the beginning of the 20th century, yet Greenwood doesn't attempt to re-create turn-of the-century mores: he writes music that taps into the rotten heart of Daniel Plainview. This is magnificently unsettling music, whether it's used within the film or heard on its own terms -- either way, it's impossible to forget after it's been heard.-Allmusicguide
There Will be Blood

Sly and Robbie-Drum & Bass Strip To The Bone By Howie B

This isn't drum'n'bass in the currently understood sense, it's drum & bass in the original (that is to say, the reggae) sense. On this album, drummer Sly Dunbar and bassist Robbie Shakespeare, two of the most widely recorded musicians in the world and two of the architects of modern reggae, join forces with noted techno producer Howie B and step off into the dark nether region of dub-inflected electronic dance music that they helped to discover, and began to map, over 20 years ago.-Allmusicguide



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White Rainbow-Zome-2003

"ZOME was recorded in the fall of 2003 with members of Landing in their attic studio as an audio love letter to my (at that point very new) eternal love vibe-partner Honey Owens. It Is the last sort of "ambient rock" recordings I've made, with guitars, effects, keyboards, bass, vocals, drums, and drum machine. It was during my national tour in support of my very first solo record called [[[[VVRSSNN]]]]. At the time of this recording, all the VVRSSNN vibes were starting to dissapear and the idea of White Rainbow as a name and a vibe and a more infinite concept was born. So this is sort of a segue between what i was doing as VVRSSNN and the more abstract ambient music I have been developing for the two years since then. It is one of my favorite recordings I have ever made and I am so proud and happy that is it finally coming out. So please, give it a listen and let me know what you think!"-White Rainbow

White Rainbow - Zome

Nobunny - Love Visions (2008)

Love Visions
Release Date: August 5, 2008
Label: Bubbledumb
Genre: Power-Pop / 60's Pop

Tracklisting:
1. Nobunny Loves You
2. I Know I Know
3. Mess Me Up
4. I Am A Girlfriend
5. Tina Goes To Work
6. Chuck Berry Holiday
7. Boneyard
8. Somewhere New
9. Church Mouse
10. It's True
11. Don't Know, Don't Care
12. Not That Good

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Cecil Taylor- PDX Jazz Fest 2008

After Cecil was introduced, he entered the stage, dressed in all white, shoeless and ready to captivate this sold out audience with a dazzling display of talent and creativity. What we witnessed was nothing short of jaw-dropping. Cecil painted elaborate sketches of sound with his nimble fingers as he hammered at the keys with a fevered intensity. During most of these songs, there are moments of quiet and space that demonstrate the dynamics of his compositions perfectly. At times the piano sounded like a trickle of rain on a windowpane that quickly emerges into a frenetic volcano of tonal clusters. His compositions transported the audience into a winding, twisting labyrinth of sound that is evocative of the surreal sketches of MC Escher. Towards the end of the performance, Cecil performed a humorous spoken-word piece dealing with complex scientific theories about the universe. He played one more piece to end the regular set, but the audience gave him a standing ovation. Without leaving the stage, Cecil proceeded to play a short, pretty song to end the concert on an uncharacteristically quiet note.-Eclectic Grooves 5/5/08

Cecil Taylor- Part 1

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Cecil Taylor- Part 2

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